gvpme.com

Wednesday, June 16, 2010

Billionaire Warren Buffett, Chief Executive of Berkshire Hathaway, auctioned lunch with himself on eBay for US$2.63 million.

Bidding, which started on eBay a few weeks ago, attracted nine bidders, offering huge sums for the opportunity to have a steak lunch with the man said to be a “legendary investor”.

The winning bidder, an anonymous individual, will be parting with $2.63 million for a meal with the world-famed investor and has the opportunity to bring along seven friends for the meal.

This, the latest of Buffett’s charity auctions, is providing funds to the Glide Foundation, a charity that provides food, health care, housing and job training for San Francisco’s homeless.

Over the last ten years, Buffett has netted $5.9 million in donations through such auctions.

Friday, August 14, 2009

According to official records, Hong Kong’s economy has left a year-long recession, recording a growth of 3.3% in the second quarter ended in June. The figures, which were seasonally adjusted, were higher than forecast by economists.

As a result, the government has increased its growth predictions for 2009. Previous estimates suggested the economy would contract by 5.5% to 6.5%. Now, the contraction is only predicted to be between 3.5% and 4.5%.

“The GDP data was much better than we expected, partly because the exports were better and partly because of a pick-up in private consumption,” Bank of East Asia’s chief economist, Paul Tang, noted. “Private consumption is being driven up by stock market gains and by the property sector, which started doing well.”

However, government economist Helen Chan warned that “while we are seeing some light at the end of the tunnel, […] the outlook remain highly uncertain because the situations in the United States and Europe are still very weak.”

Thursday, June 28, 2007

The Comprehensive Immigration Reform Bill backed by both United States President George W. Bush and Massachusetts Senator Ted Kennedy failed to receive enough cloture votes to overcome a possible filibuster and move on to a final vote in the United States Senate. The cloture vote was 53 votes against and 46 votes in favor; 60 votes are needed to invoke cloture in the Senate.

The large, complex bill was a compromise referred to as the “grand bargain” that would have made many changes to American immigration laws, including an expanded “guest worker” plan and a “path to citizenship” for immigrants currently residing illegally in America. The bill was largely drafted behind closed doors in negotiations between the White House and Senate leaders of both parties.

Proponents argued that the bill would have fixed enforcement problems with current immigration policy and that it was a reasonable compromise, while opponents charged that it amounted to an “illegal alien amnesty”. Public opinion polls showed that the bill was unpopular among Americans surveyed, many of whom believed it would make things worse. According to Rasmussen Reports, only 22% of Americans favored the bill as of June 25.

“Bush wanted to do something good, but the Senate wouldn’t let him. It’s disappointing,” Miguel Gonzalez told Reuters. Gonzales has been in the United States for five years.

Tuesday, March 31, 2009

Drew Barrymore and Justin Long have been cast in a romantic comedy called Going the Distance.

The New Line Cinema film is to be directed by documentary filmmaker Nanette Burstein, who made the films The Kid Stays in the Picture and American Teen. It will be Burstein’s feature film debut.

Going the Distance, written by New Line staffer Geoff LaTulippe, will focus on a couple dealing with challenges arising from a cross-country romance. Media reports did not indicate a release date had been determined.

The film is being produced by Adam Shankman and Jennifer Gibgot via their independent production company, Offspring Entertainment.

Barrymore and Long last appeared together in the 2009 film, He’s Just Not That into You, which grossed $145 million worldwide. The duo dated in real life, but broke up in July after dating for about a year.

Tuesday, January 30, 2018

Yesterday, Catalan football club FC Barcelona officially announced the Spanish centre-back Gerard Piqué signed a contract extension which runs through June 2022. “If I complete this contract I will be 14 years as a professional at Barcelona” ^{((es))Spanish language: ?Si cumplo este contrato, serán 14 años de carrera profesional en el Barça}, the Spanish international said after the contract extension.

30-year-old Piqué joined Blaugrana through the youth ranks of La Masia in 1997 and made his professional debut for Barcelona on August 13, 2008. In his tenure at Camp Nou, the Spaniard international has won three UEFA Champions League titles, six Spanish LaLiga titles, five Copa del Rey trophies and three FIFA Club World Cups.

Making his international debut in 2009, a year after he returned to Spain after spending four years at Manchester United, Piqué has 94 international caps, and has won the 2010 FIFA World Cup in South Africa, as well as the UEFA Euro 2012 trophy with La Roja. He won the UEFA Champions League with Manchester United as well.

Piqué has played 425 games in the Catalan jersey and has won 25 trophies with the Barcelona club, five less than Andrés Iniesta and Lionel Messi, who have won the largest number of trophies in the Catalan colours.

After signing the contract extension, Piqué said, “I am really happy to be celebrating my extension because this is my home and since my return, my desire has been to end my career here” ^{((es))Spanish language: ?Estoy muy feliz de celebrar mi renovación porque aquí es mi casa y mi deseo ha sido retirarme aquí desde que he vuelto}. He added, “I can only see myself in a Barça shirt. If I had not extended my contract then I would have stopped playing because I only play football because I play for Barça” ^{((es))Spanish language: ?Sólo me veo vistiendo la camiseta del Barça. Si no hubiera renovado dejaría de jugar al fútbol porque sólo me veo jugando con esta camiseta}.

Friday, July 29, 2011

Today sees the reopening of the National Museum of Scotland following a three-year renovation costing £47.4 million (US$ 77.3 million). Edinburgh’s Chambers Street was closed to traffic for the morning, with the 10am reopening by eleven-year-old Bryony Hare, who took her first steps in the museum, and won a competition organised by the local Evening News paper to be a VIP guest at the event. Prior to the opening, Wikinews toured the renovated museum, viewing the new galleries, and some of the 8,000 objects inside.

Dressed in Victorian attire, Scottish broadcaster Grant Stott acted as master of ceremonies over festivities starting shortly after 9am. The packed street cheered an animatronic Tyrannosaurus Rex created by Millenium FX; onlookers were entertained with a twenty-minute performance by the Mugenkyo Taiko Drummers on the steps of the museum; then, following Bryony Hare knocking three times on the original doors to ask that the museum be opened, the ceremony was heralded with a specially composed fanfare – played on a replica of the museum’s 2,000-year-old carnyx Celtic war-horn. During the fanfare, two abseilers unfurled white pennons down either side of the original entrance.

The completion of the opening to the public was marked with Chinese firecrackers, and fireworks, being set off on the museum roof. As the public crowded into the museum, the Mugenkyo Taiko Drummers resumed their performance; a street theatre group mingled with the large crowd, and the animatronic Tyrannosaurus Rex entertained the thinning crowd of onlookers in the centre of the street.

On Wednesday, the museum welcomed the world’s press for an in depth preview of the new visitor experience. Wikinews was represented by Brian McNeil, who is also Wikimedia UK’s interim liaison with Museum Galleries Scotland.

The new pavement-level Entrance Hall saw journalists mingle with curators. The director, Gordon Rintoul, introduced presentations by Gareth Hoskins and Ralph Applebaum, respective heads of the Architects and Building Design Team; and, the designers responsible for the rejuvenation of the museum.

Describing himself as a “local lad”, Hoskins reminisced about his grandfather regularly bringing him to the museum, and pushing all the buttons on the numerous interactive exhibits throughout the museum. Describing the nearly 150-year-old museum as having become “a little tired”, and a place “only visited on a rainy day”, he commented that many international visitors to Edinburgh did not realise that the building was a public space; explaining the focus was to improve access to the museum – hence the opening of street-level access – and, to “transform the complex”, focus on “opening up the building”, and “creating a number of new spaces […] that would improve facilities and really make this an experience for 21st century museum visitors”.

Hoskins explained that a “rabbit warren” of storage spaces were cleared out to provide street-level access to the museum; the floor in this “crypt-like” space being lowered by 1.5 metres to achieve this goal. Then Hoskins handed over to Applebaum, who expressed his delight to be present at the reopening.

Applebaum commented that one of his first encounters with the museum was seeing “struggling young mothers with two kids in strollers making their way up the steps”, expressing his pleasure at this being made a thing of the past. Applebaum explained that the Victorian age saw the opening of museums for public access, with the National Museum’s earlier incarnation being the “College Museum” – a “first window into this museum’s collection”.

The museum itself is physically connected to the University of Edinburgh’s old college via a bridge which allowed students to move between the two buildings.

Applebaum explained that the museum will, now redeveloped, be used as a social space, with gatherings held in the Grand Gallery, “turning the museum into a social convening space mixed with knowledge”. Continuing, he praised the collections, saying they are “cultural assets [… Scotland is] turning those into real cultural capital”, and the museum is, and museums in general are, providing a sense of “social pride”.

McNeil joined the yellow group on a guided tour round the museum with one of the staff. Climbing the stairs at the rear of the Entrance Hall, the foot of the Window on the World exhibit, the group gained a first chance to see the restored Grand Gallery. This space is flooded with light from the glass ceiling three floors above, supported by 40 cast-iron columns. As may disappoint some visitors, the fish ponds have been removed; these were not an original feature, but originally installed in the 1960s – supposedly to humidify the museum; and failing in this regard. But, several curators joked that they attracted attention as “the only thing that moved” in the museum.

The museum’s original architect was Captain Francis Fowke, also responsible for the design of London’s Royal Albert Hall; his design for the then-Industrial Museum apparently inspired by Joseph Paxton’s Crystal Palace.

The group moved from the Grand Gallery into the Discoveries Gallery to the south side of the museum. The old red staircase is gone, and the Millennium Clock stands to the right of a newly-installed escalator, giving easier access to the upper galleries than the original staircases at each end of the Grand Gallery. Two glass elevators have also been installed, flanking the opening into the Discoveries Gallery and, providing disabled access from top-to-bottom of the museum.

The National Museum of Scotland’s origins can be traced back to 1780 when the 11th Earl of Buchan, David Stuart Erskine, formed the Society of Antiquaries of Scotland; the Society being tasked with the collection and preservation of archaeological artefacts for Scotland. In 1858, control of this was passed to the government of the day and the National Museum of Antiquities of Scotland came into being. Items in the collection at that time were housed at various locations around the city.

On Wednesday, October 28, 1861, during a royal visit to Edinburgh by Queen Victoria, Prince-Consort Albert laid the foundation-stone for what was then intended to be the Industrial Museum. Nearly five years later, it was the second son of Victoria and Albert, Prince Alfred, the then-Duke of Edinburgh, who opened the building which was then known as the Scottish Museum of Science and Art. A full-page feature, published in the following Monday’s issue of The Scotsman covered the history leading up to the opening of the museum, those who had championed its establishment, the building of the collection which it was to house, and Edinburgh University’s donation of their Natural History collection to augment the exhibits put on public display.

Closed for a little over three years, today’s reopening of the museum is seen as the “centrepiece” of National Museums Scotland’s fifteen-year plan to dramatically improve accessibility and better present their collections. Sir Andrew Grossard, chair of the Board of Trustees, said: “The reopening of the National Museum of Scotland, on time and within budget is a tremendous achievement […] Our collections tell great stories about the world, how Scots saw that world, and the disproportionate impact they had upon it. The intellectual and collecting impact of the Scottish diaspora has been profound. It is an inspiring story which has captured the imagination of our many supporters who have helped us achieve our aspirations and to whom we are profoundly grateful.“

The extensive work, carried out with a view to expand publicly accessible space and display more of the museums collections, carried a £47.4 million pricetag. This was jointly funded with £16 million from the Scottish Government, and £17.8 million from the Heritage Lottery Fund. Further funds towards the work came from private sources and totalled £13.6 million. Subsequent development, as part of the longer-term £70 million “Masterplan”, is expected to be completed by 2020 and see an additional eleven galleries opened.

The funding by the Scottish Government can be seen as a ‘canny‘ investment; a report commissioned by National Museums Scotland, and produced by consultancy firm Biggar Economics, suggest the work carried out could be worth £58.1 million per year, compared with an estimated value to the economy of £48.8 prior to the 2008 closure. Visitor figures are expected to rise by over 20%; use of function facilities are predicted to increase, alongside other increases in local hospitality-sector spending.

Proudly commenting on the Scottish Government’s involvement Fiona Hyslop, Cabinet Secretary for Culture and External Affairs, described the reopening as, “one of the nation’s cultural highlights of 2011” and says the rejuvenated museum is, “[a] must-see attraction for local and international visitors alike“. Continuing to extol the museum’s virtues, Hyslop states that it “promotes the best of Scotland and our contributions to the world.“

So-far, the work carried out is estimated to have increased the public space within the museum complex by 50%. Street-level storage rooms, never before seen by the public, have been transformed into new exhibit space, and pavement-level access to the buildings provided which include a new set of visitor facilities. Architectural firm Gareth Hoskins have retained the original Grand Gallery – now the first floor of the museum – described as a “birdcage” structure and originally inspired by The Crystal Palace built in Hyde Park, London for the 1851 Great Exhibition.

The centrepiece in the Grand Gallery is the “Window on the World” exhibit, which stands around 20 metres tall and is currently one of the largest installations in any UK museum. This showcases numerous items from the museum’s collections, rising through four storeys in the centre of the museum. Alexander Hayward, the museums Keeper of Science and Technology, challenged attending journalists to imagine installing “teapots at thirty feet”.

The redeveloped museum includes the opening of sixteen brand new galleries. Housed within, are over 8,000 objects, only 20% of which have been previously seen.

The Window on the World rises through the four floors of the museum and contains over 800 objects. This includes a gyrocopter from the 1930s, the world’s largest scrimshaw – made from the jaws of a sperm whale which the University of Edinburgh requested for their collection, a number of Buddha figures, spearheads, antique tools, an old gramophone and record, a selection of old local signage, and a girder from the doomed Tay Bridge.

The arrangement of galleries around the Grand Gallery’s “birdcage” structure is organised into themes across multiple floors. The World Cultures Galleries allow visitors to explore the culture of the entire planet; Living Lands explains the ways in which our natural environment influences the way we live our lives, and the beliefs that grow out of the places we live – from the Arctic cold of North America to Australia’s deserts.

The adjacent Patterns of Life gallery shows objects ranging from the everyday, to the unusual from all over the world. The functions different objects serve at different periods in peoples’ lives are explored, and complement the contents of the Living Lands gallery.

Performance & Lives houses musical instruments from around the world, alongside masks and costumes; both rooted in long-established traditions and rituals, this displayed alongside contemporary items showing the interpretation of tradition by contemporary artists and instrument-creators.

The museum proudly bills the Facing the Sea gallery as the only one in the UK which is specifically based on the cultures of the South Pacific. It explores the rich diversity of the communities in the region, how the sea shapes the islanders’ lives – describing how their lives are shaped as much by the sea as the land.

Both the Facing the Sea and Performance & Lives galleries are on the second floor, next to the new exhibition shop and foyer which leads to one of the new exhibition galleries, expected to house the visiting Amazing Mummies exhibit in February, coming from Leiden in the Netherlands.

The Inspired by Nature, Artistic Legacies, and Traditions in Sculpture galleries take up most of the east side of the upper floor of the museum. The latter of these shows the sculptors from diverse cultures have, through history, explored the possibilities in expressing oneself using metal, wood, or stone. The Inspired by Nature gallery shows how many artists, including contemporary ones, draw their influence from the world around us – often commenting on our own human impact on that natural world.

Contrastingly, the Artistic Legacies gallery compares more traditional art and the work of modern artists. The displayed exhibits attempt to show how people, in creating specific art objects, attempt to illustrate the human spirit, the cultures they are familiar with, and the imaginative input of the objects’ creators.

The easternmost side of the museum, adjacent to Edinburgh University’s Old College, will bring back memories for many regular visitors to the museum; but, with an extensive array of new items. The museum’s dedicated taxidermy staff have produced a wide variety of fresh examples from the natural world.

At ground level, the Animal World and Wildlife Panorama’s most imposing exhibit is probably the lifesize reproduction of a Tyrannosaurus Rex skeleton. This rubs shoulders with other examples from around the world, including one of a pair of elephants. The on-display elephant could not be removed whilst renovation work was underway, and lurked in a corner of the gallery as work went on around it.

Above, in the Animal Senses gallery, are examples of how we experience the world through our senses, and contrasting examples of wildly differing senses, or extremes of such, present in the natural world. This gallery also has giant screens, suspended in the free space, which show footage ranging from the most tranquil and peaceful life in the sea to the tooth-and-claw bloody savagery of nature.

The Survival gallery gives visitors a look into the ever-ongoing nature of evolution; the causes of some species dying out while others thrive, and the ability of any species to adapt as a method of avoiding extinction.

Earth in Space puts our place in the universe in perspective. Housing Europe’s oldest surviving Astrolabe, dating from the eleventh century, this gallery gives an opportunity to see the technology invented to allow us to look into the big questions about what lies beyond Earth, and probe the origins of the universe and life.

In contrast, the Restless Earth gallery shows examples of the rocks and minerals formed through geological processes here on earth. The continual processes of the planet are explored alongside their impact on human life. An impressive collection of geological specimens are complemented with educational multimedia presentations.

Beyond working on new galleries, and the main redevelopment, the transformation team have revamped galleries that will be familiar to regular past visitors to the museum.

Formerly known as the Ivy Wu Gallery of East Asian Art, the Looking East gallery showcases National Museums Scotland’s extensive collection of Korean, Chinese, and Japanese material. The gallery’s creation was originally sponsored by Sir Gordon Wu, and named after his wife Ivy. It contains items from the last dynasty, the Manchu, and examples of traditional ceramic work. Japan is represented through artefacts from ordinary people’s lives, expositions on the role of the Samurai, and early trade with the West. Korean objects also show the country’s ceramic work, clothing, and traditional accessories used, and worn, by the indigenous people.

The Ancient Egypt gallery has always been a favourite of visitors to the museum. A great many of the exhibits in this space were returned to Scotland from late 19th century excavations; and, are arranged to take visitors through the rituals, and objects associated with, life, death, and the afterlife, as viewed from an Egyptian perspective.

The Art and Industry and European Styles galleries, respectively, show how designs are arrived at and turned into manufactured objects, and the evolution of European style – financed and sponsored by a wide range of artists and patrons. A large number of the objects on display, often purchased or commissioned, by Scots, are now on display for the first time ever.

Shaping our World encourages visitors to take a fresh look at technological objects developed over the last 200 years, many of which are so integrated into our lives that they are taken for granted. Radio, transportation, and modern medicines are covered, with a retrospective on the people who developed many of the items we rely on daily.

What was known as the Museum of Scotland, a modern addition to the classical Victorian-era museum, is now known as the Scottish Galleries following the renovation of the main building.

This dedicated newer wing to the now-integrated National Museum of Scotland covers the history of Scotland from a time before there were people living in the country. The geological timescale is covered in the Beginnings gallery, showing continents arranging themselves into what people today see as familiar outlines on modern-day maps.

Just next door, the history of the earliest occupants of Scotland are on display; hunters and gatherers from around 4,000 B.C give way to farmers in the Early People exhibits.

The Kingdom of the Scots follows Scotland becoming a recognisable nation, and a kingdom ruled over by the Stewart dynasty. Moving closer to modern-times, the Scotland Transformed gallery looks at the country’s history post-union in 1707.

Industry and Empire showcases Scotland’s significant place in the world as a source of heavy engineering work in the form of rail engineering and shipbuilding – key components in the building of the British Empire. Naturally, whisky was another globally-recognised export introduced to the world during empire-building.

Lastly, Scotland: A Changing Nation collects less-tangible items, including personal accounts, from the country’s journey through the 20th century; the social history of Scots, and progress towards being a multicultural nation, is explored through heavy use of multimedia exhibits.

Wednesday, April 22, 2009

Today is the 39th observance of Earth Day in the northern hemisphere. Earth day is celebrated in Autumn on November 30 in the southern hemisphere. Senator Gaylord Nelson initiated the first Earth Day in April 1970 in the United States, and it is now celebrated by over 1 billion people in over 170 countries worldwide. Earth Day is the biggest environmental event which addresses issues and educates people on environmental awareness on a global scale.

This year, National Aeronautics and Space Administration (NASA) will beam high-definition images to the NASA website and television. By doing so, NASA hopes to increase appreciation of global climate issues. There will also be a Washington exhibit relating to environmental issues viewed from space as well.

At the NASA Marshall Space Flight Center activities will focus on their slogan for Earth Day 2009, “Just One Drop … PRICELESS” and will demonstrate how the Environmental Control Life Support System operates as used on the International Space Staton (ISS).

Amongst the many festivals, WorldFest is a solar powered music celebration held in Los Angeles, California. Buenos Aires will also feature its second Earth Day event featuring a music festival as well.

“We are in a new era of energy innovation,” said Daniel Yergin at a Massachusetts Institute of Technology (MIT) forum. Lithium-ion batteries are providing electric storage solutions for electric cars such as the Chevrolet Volt and the Dodge Circuit EV. Algae fuel is a new form of biofuel, but is still under development.

“Energy Smackdown” was a competitive household activity which compared energy usage between 60 separate households across three cities in or near Boston. The various competitors came up with a variety of innovative methods to cut their carbon footprint, installing solar electric panels, geothermal heat pumps, wind turbines, and using a caulking gun to seal the home from drafts.

“In the average home, 75 percent of the electricity used to power home electronics is consumed while the products are turned off.” is a United States Department of Energy (DOE) estimate.

Miami is installing a smart grid which will use individual household smart meters to allow energy consumers know via a web site, their exact home energy usage. “To me these are prudent and smart investments that will easily pay for themselves. It will show the nation how to address environmental, energy, and economic challenges all at the same time.” said Miami mayor Manny Diaz.

Cal Dooley, CEO of the American Chemistry Council ACC, says the plastic bag industry is prepared to spend US$50 million to revamp their manufacturing facilities and will collect 470 million pounds of recycled plastic every year to make plastic bags of 40% recycled content. The ACC is providing a donation to the Keep America Beautiful environmental organisation, both of whom endorse this new project. The Earth Day Network (EDN) and Natural Resources Defense Council (NRDC) would like to see an end to the use of plastic bags, however. “We don’t want people to use disposable bags. We want people to use reusable bags,” says Darby Hoover of the NRDC.

Calgary researchers will begin field surveys to help save the “Northern Leopard Frog (Rana Pipiens). “Northern Leopard Frogs are threatened in Alberta, but endangered in British Columbia,” said Dr. Des Smith, Primary Investigator and Research Scientist with the Calgary Zoo’s Centre for Conservation Research. “It is essential to develop new monitoring techniques for Northern Leopard” said Breana McKnight, Field Team Leader and Endangered Species Researcher.

The traditional Earth day ceremony of planting trees is garnering further attention in Japan as Koichi Nakatani, the nation’s Tree Planting Father travels from Hokkaido to Okinawa.

Students can take part in an Earth Day photo contest sponsored by the Institute for Global Environmental Strategies which will feature images and scientific student research for the environmental change depicted in each photo submitted.

“Earth Day should be about teaching about the environment every day,” said Sean Mille director of education for EDN, “We emphasize taking action for your classroom, school, district or community.” 25,000 schools across America made use of the environmental curriculum developed by the National Civic Education Project, the Green Schools Campaign and the Educator’s Network. Lesson plans are broad and varied and may focus on water pollution, recycling, composting, using chemistry to convert cafeteria left-overs into biodiesel or ethanol fuel or converting go-carts to operate on biodiesel or ethanol fuels in shop class.